This new edition of Shakespeare's Cymbeline considers the critical and historical scholarship released in the late twentieth century. It highlights the play's elements of romance, tragicomedy and Jacobean stagecraft and acknowledges the postmodern indeterminacy of its key moments. Martin Butler departs from the legacy of the sentimental Victorian interpretation of the heroine, Innogen, and focuses on the politics of 1610, especially regarding uestions of British union and nationhood. Editorial Reviews This new edition of Shakespeare's Cymbeline takes full account of the critical and historical scholarship produced in the late twentieth century. It foregrounds the elements of romance, tragicomedy and Jacobean stagecraft which together shape the play; it also acknowledges the postmodern indeterminacy of the play's key moments. Martin Butler breaks with the legacy of the sentimental Victorian reading of the heroine, Innogen, and gives space to the politics of 1610, especially to questions of British union and nationhood. About the Author Arguably the greatest English-language playwright, William Shakespeare was a seventeenth-century writer and dramatist, and is known as the Bard of Avon. Under the patronage of Queen Elizabeth I, he penned more than 30 plays, 154 sonnets, and numerous narrative poems and short verses. Equally accomplished in histories, tragedies, comedy, and romance, Shakespeare s most famous works include Romeo and Juliet, Hamlet, Macbeth, King Lear, The Taming of the Shrew, and As You Like It. Like many of his contemporaries, including Christopher Marlowe, Shakespeare began his career on the stage, eventually rising to become part-owner of Lord Chamberlain s Men, a popular dramatic company of his day, and of the storied Globe Theatre in London. Extremely popular in his lifetime, Shakespeare s works continue to resonate more than three hundred years after his death. His plays are performed more often than any other playwright s, have been translated into every major language in the world, and are studied widely by scholars and students. Stephen Orgel is the J. E. Reynolds Professor in Humanities at Stanford University. His books include "The Authentic Shakespeare," "Impersonations: The Performance of Gender in Shakespeare's England," and "The Illusion of Power," In addition to his Shakespeare editions, he has edited works of Ben Jonson, Marlowe, and Milton. A. R. Braunmuller is professor of English and comparative literature at UCLA, where he teaches courses on English and European drama from 1500 to the present. He has written critical volumes on George Peele and George Chapman and has edited "King John" and "Macbeth," Martin Butler is Professor of English Renaissance Drama at the University of Leeds. Gibbons is Lecturer in Literature and Cultural History at Liverpool John Moores University.